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Erykah Badu - Amerykahn Promise 2. Erykah Badu - The Healer 3. Erykah Badu — Me 4. Erykah Badu - My People 5. Erykah Badu — Soldier 6. Erykah Badu - The Cell 7. Erykah Badu — Twinkle 8.

Erykah Badu - Master Teacher 9. Erykah Badu - That Hump Erykah Badu — Telephone From hip-hop to country you could find it there! Trust me!! Waiting for your songs to download? Visit our "Online Arcade Mob" page. It's fun, free, and helps past the time. While neither "Honey" nor "Soldier" are lazy retreads on Badu's part, is it any wonder their familiar elements inspired Motown to make those two songs both far sunnier in isolation than the album as a whole the album's first two singles?

The Billie Holiday voice is back, if only for a little while. And it's in line with the willful disorganization of this and her last two albums. Polish and coherence equal consumer-ready product, to be used until played out and then shelved. In a matter not entirely original but still befitting an ex-neo-soul diva getting extra comfortable with her inner Yippie, she overlays a rerecorded excerpt of Peter Finch's "First you've got to get mad" monologue from Network.

Somewhere Marlene Warfield's afro-puffed corporate radical Laureen Hobbs is listening to this record and nodding, "Right on. Post a Comment. April 07, Collecting sought after records and other archival gems, this lengthy EP is a joyous, synthy excursion through sunny climes, from the MIDI brass and plastic slap bass of "Leg Pulling" to the intricate percussion and live sax of "Bara-Hum-Ba.

Read more. May 19, Complete Works' for Stones Throw. As the story goes Larkin happened to notice a sample of his music in the Madvillainy Remixes set and promptly contacted the label. It's my job to sell you on the bacon. There is a Part Two , but you should start here.

Numerical order, silly. Maybe Frank Zappa is a better comparison. Like Zappa's virtuoso, fun-house quirk, Badu creates her own world here. If you've heard any of her music before, you know already that her voice is a versatile instrument employed with a ferocious sense of play.

It's the kind of instrument that can get lost in tepid musical settings. Thankfully, Erykah Badu has consistently avoided the lazy backslide into neo-soul cliches that could have made her a ready-for-primetime player. Badu's plan of action here is apparent from the outset. On the first track, RAMP' s "American Promise" is sampled and mutated into "Amerykhan Promise", a surreal slab of theatrical funk, complete with pitch-shifted voices chattering in a battle of wills.

It's natural to be reminded of Parliament, here. This re-purposing continues throughout, in a series of hallucinatory underground hip-hop tracks. Madlib who should be pretty familiar to our regular readers contributes two particularly great sample-deep tracks.

These beats are exactly the sort you might hear under a faded MF DOOM verse, but I love hearing them used by a singer instead of a rapper. In , Madlib's productions would back up a soul singer for an entire album: Check out the terrific Seeds by Georgia Anne Muldrow, who also collaborates on one track here here.

That track, "Master Teacher", is a rousing number, provocative not only in it's lyric, but also in it's bold sampling of a familiar voice. Curtis Mayfield is such an unassailable legend that it's kind of daring to use him the way he's used here. He's obviously recognizable and his voice is brutally chopped up into a hammering monosyllable. Conceptually, this might have something to do with a desire to continue Mayfield's project of spiritually charged calls for public action and shared responsibility.

Musically, it's an odd and unrelenting earworm. There's some dark territory here. The former charges and churns through a hell night of urban violence, and the latter is a trip through the wires of the Cyberbadu's assimilated robo-brain. Trust me on this.